Friday, October 1, 2010

The Secret In Their Eyes

Judge Roy Hrab's eyes hold no secrets.

"He can't change his passion…"

The Argentinean film The Secret In Their Eyes (El Secreto De Sus Ojos) won the Best Foreign Language Film at the 2010 Academy Awards, representing one of the rare times that the Academy has made a good decision. Of course, the Academy got it horribly wrong by not nominating Juan José Campanella's film for Best Picture. However, enough talk about irrelevant awards, let's discuss this quietly mesmerizing motion picture, instead.

Retired detective Benjamin Esposito (Ricardo Darin) is trying to write a book about a vicious rape and murder of a young woman that he solved 25 years ago. However, while Esposito "solved" the crime, many issues went unresolved, including his feelings for his former colleague Irene (Soledad Villamil). As he tries to settle with the past, more and more events from the old case bubble to the surface. Can Esposito and those involved in the investigation resolve the loose ends and move on, or will they get swallowed-up by the past? Is it already too late?

The Secret In Their Eyes is about the capacity of people to deal with events that cannot be changed. Individuals can trap themselves in the past, living a life of increasingly hazy memories; or, they can move on and live a fulfilling life. Both types of personalities are explored in great detail here.

The heart of the film belongs to Esposito. He can't decide whether he wants to live in the past or the present. The story is told from his conflicted point of view, comprised of flashbacks and contemporary action. The reason for his dilemma is his passion, for justice and Irene. His idea to write a book about the old crime is an attempt to deal with these issues, but writing the book pulls old issues into the present, disrupting current lives.

The other characters have their own passions. Irene, too, has a passion for justice, but also for moving her life, including her career and relationships, ever forward. Ricardo Morales (Pablo Rago), the husband of the murdered woman, has an undying passion for the deceased love of his life. Isidoro Gomez (Javier Godino), the suspected killer, has passions that include pedestrian and unsavory pursuits. As the passions of the characters interact with each other the story is propelled forward, moving methodically and logically between police procedural and love story. In-between these main story threads are many twists and turns; exploring the themes of friendship, loyalty, corruption, and revenge.

Not wanting to spoil the outcome prevents me from providing further details about the story. But it's a thrilling ride, filled with top-notch performances, especially by Darin as the determined Esposito. Another stand-out is Guillermo Francella as Esposito's alcoholic partner, Sandoval. The rest of the main players: Villamil, Rago, and Godino are similarly terrific. The entire cast has tremendous chemistry with each other. There are no false notes here.

The film is also technically superb, hitting its peak during the absolutely stunning soccer stadium sequence. You'll know it when you see it. The rest of the filming is equally accomplished from the use of long takes to the full utilization of the widescreen format.

The video transfer is strong. The color is good and the detail robust, allowing you to see the wrinkles created by the make-up artists for the aged characters in the contemporary scenes. The 5.1 surround sound is excellent. The dialogue, music, and sound effects are perfectly clear.

The main extra is an excellent commentary by director Campanella. It's a must for film students and cinema buffs. He thoroughly breaks down the film, discussing the themes, color schemes, acting, music, CGI-effects and editing. He gives a lot of information, but he's never boring even though you'll have to read the commentary via subtitles if you don't speak Spanish. The remaining extras are a couple of short featurettes. The first is a behind-the-scenes piece. The second is a collection of audition tapes of some of the supporting actors in the film. The theatrical trailer is also included.

This is a complex movie made for adults. The casting, story, direction, editing, and music all come together to deliver an exceptional experience.

Did we give The Secret In Their Eyes a fair trial? yes / no

What's "fair"? Whether positive or negative, our reviews should be unbiased, informative, and critique the material on its own merits.

Studio: Sony
Video Formats:
• 2.35:1 Anamorphic
Audio Formats:
• Dolby Digital 5.1 Surround (French)
• Dolby Digital 5.1 Surround (Spanish)
Subtitles:
• English
• French
Running Time: 129 Minutes
Release Year: 2009
MPAA Rating: Rated R
Genres:
• Crime
• Drama
• Foreign
• Mystery
• Romance
• Thriller

• Commentary
• Featurettes
• Trailer


View the original article here

PR :: Great Expectations: A Journey Through The History Of Visionary Architecture on DVD Oct 5

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Icarus Films

An astonishing journey through innovative, futuristic, utopian and sometimes bizarre architectural projects- including concrete illusions of grandeur and Lego-like modular apartments to an Instant City Airship and round, grass-covered subterranean dwellings- from the beginning of the 20th century to today.

Icarus Films is proud to release Jesper Wachtmeister's Great Expectations: A Journey Through The History Of Visionary Architecture on home video for the first time on October 5, 2010.

An astonishing journey through innovative, futuristic, utopian and sometimes bizarre architectural projects- including concrete illusions of grandeur and Lego-like modular apartments to an Instant City Airship and round, grass-covered subterranean dwellings- from the beginning of the 20th century to today.

Featuring Le Corbusier's functionalist cities, Buckminster Fuller's lightweight geodesic domes, Moshe Safdie's Habitat '67 prefab apartments, Oscar Niemeyer's sleek urban designs for Brasilia, Antti Lovag's curved surfaces of Palais Bulles in France, and other extraordinary works by visionary architects.

Plus Bonus Film: KOCHUU: Japanese Architecture / Influence & Origin also directed by Jesper Wachtmeister

A visually stunning film about modern Japanese architecture, its roots in Japanese tradition, and their relationships to modernist Scandinavian design.

For a slideshow of some of the bizarre modernist architecture featured in GREAT EXPECTATIONS, including the above heart building, please see: SLIDESHOW

"Exciting...these architects seldom get the chance to speak freely in this way. This gives the content weight and lends plausibility to their visions...Great Expectations gives one an appetite for visionary architecture." –Rum Architecture & Design Magazine

Please see here for the official site to the film.

Total running time: 105 minutes / color / SRP: $24.98 / Release date: Oct. 5, 2010.

Icarus Films

Posted by: News Editor - August 27, 2010, 3:18 pm - PR
Keywords: documentary

Genres

action, action comedy, adventure, alternative, animation, anime, art, black comedy, celtic, classical, comedy, compilation, country, crime, cult, documentary, drama, educational, epic, experimental, family, fantasy, film noir, folk, foreign, gangster, hip-hop, historical, historical adventure, holiday, horror, jazz, late night, martial arts, metal, music, musical, musical comedy, mystery, new age, offbeat, opera, pop, r-b, rap, rock, romance, romantic comedy, sci-fi, special interest, sports, suspense thriller, techno thriller, television, war, western,

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documentary, music, madonna, lourdes, material girl, movie, 'the social network, ' aaron sorkin, david fincher, mark zuckerberg, eduardo saverin, andrew garfield, jesse eisenberg, action, sci-fi, television, david hasselhoff, tony dovolani, the quickstep, wire, lost, freaks and geeks, arrested development, 'rabbit hole, ' nicole kidman, 'let me in, ' 'the debt, ' helen mirren, realty dance competition, florence henderson, carrie ann inaba, margaret cho, bill maher, christine o'donnell, republican nominee, witchcraft, 'stake land, ' toronto international film festival, kelly mcgillis, melanie leis, $23.8 million, jon hamm, jeremy renner, chris cooper, box office, movies, gladiator, rome, musical, oprah, book club, national book award, 'the corrections, ' farrar, straus and giroux, robert redford, mary surratt, robin wright, james mcavoy, tom wilkinson, fake news, fake conservative, jon stewart, stephen colbert, dueling rallies, writer, book reviewer, philip roth, thomas pynchon, saul bellow, don delillo, j.k. rowling, tom wolfe, romantic caper, big-budget blockbuster, florian henckel von donnersmarck, concert, beyonc?, nicki minaj, 50 cent, josh brolin, will smith, action drama, pantelion films, 10 films, hispanic moviegoers, comedy series, penny, jim parsons, mayim bialik, leonard, american idol, steven tyler, randy jackson, singing competition, lady gaga, katy perry, ke$ha, taylor swift, justin bieber, ciara, jane lynch, bryce dallas howard, matt damon, special-effects tsunami, romance


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Thursday, September 30, 2010

DVD Review :: THE ONLY SON / THERE WAS A FATHER

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Studio: The Criterion Collection
Year: 1936-42
Cast: Chishu Ryu, Shinichi Himori
Director: Yasujiro Ozu
Release Date: July 13, 2010
Rating: Not Rated for
Run Time: 02h:49m:55s
Genre(s): japanese "I never thought I'd have to do this in Tokyo. But things turn out the way they will." - Ryosuke (Shinichi Himori), in The Only Son

  Two early works from one of the masters, Yasujiro Ozu.

Movie Grade: A-

DVD Grade: B

Yasujiro Ozu may be the Edmund Burke of filmmakers. That is, he's classically conservative—not in a Sarah Palin kind of way, but in a Reflections on the Revolution in France kind of way: things are bad and getting worse, all human endeavor is an exercise in futility, things might have been better once, but they're no good any more. (Hey, wait, maybe he's really a Japanese Joni Mitchell—you don't know what you've got 'til it's gone, and all that.) It's a dreary and dispiriting world view, undercut, happily, to some extent, by the fluidity and grace of Ozu's filmmaking. You can claim too much for Ozu—some do in this very box set, for instance (more on that in a minute)—but these two early films, not especially well known in the West particularly, are lovely, lyrical expressions of his essential ennui.

The Only Son, made in 1936, could almost be a Joan Crawford weepie on the other side of the Pacific—it's about a mother's relentless sacrifice for her boy, and about how little they both end up to show for it. Otsune cares nothing for herself, and labors only for her son, Ryosuke, for whom she has big plans. It's a movie essentially about the boy not being able to carry the mantle of his mother's aspirations. She wants him to go to all the best schools, to move to Tokyo, to take his place in the leadership, to bring pride to the family name. She has to settle for a remote young man full of secrets and shame—a promising student, Ryosuke gets waylaid by life, in a way.

Mother makes a surprise visit to her son in Tokyo, and everybody has big and embarrassing secrets. Ryosuke's onetime mentor, a middle school teacher who fanned the flames of his young intellect, has been reduced to selling pork cutlets; we're in a world of sacrificing parents and thankless children. Ozu also takes a dim view of urban life—everybody wants to move to Tokyo, but nothing good happens once they get there, and there's a lot of pining for what's past, what's rural, what's pastoral. And nothing is more decadent than the West&@8212Ryosuke wants to show off and takes his mother to a talkie; she is horrified by what she sees.

As a filmmaker, Ozu is brave enough to be boring—he's so invested in the emotional lives of his characters that he doesn't feel it necessary to give us visual pyrotechnics. But that also means that sometimes his movies can be, well, boring. How else to characterize a scene, for instance, in which we see little more than three characters sitting and eating bowls of ramen noodles?

Act Three provides some small opportunities for redemption, but given the grandeur of the aspirations of our characters, these are very small indeed. We're not convinced, and you almost sense that Ozu doesn't expect us to be. And the second film in the double feature, There Was a Father, travels on much of the same territory. It's a more sprawling story, and takes place over decades of the lives of a widower and his son; the accompanying material suggests that the film was celebrated in its time (it was made in 1942) for bringing a sense of nobility to the sacrifices of wartime.

And yet, in a funny way, this is really a father/son love story. There are no Oedipal complications in Ozu; instead, we get a 25 year old man saying to his father, "I can't stand living apart like this." Love is pure in Ozu, but it's always eclipsed by loss; this is a movie about a father and son retreating from the city to ferret through the shards of their family's disgrace, and then attempting to recover some modicum of self-regard. As you might guess, they are at best modestly successful. So, you know, these are graceful motion pictures, but they ain't exactly feel good.

Ozu scholars David Bordwell and Kristin Thompson, in 2010 interviews, offer thoughts on both films—Bordwell insists that Ozu is the greatest director of all time, and though I disagree with him, it points out how silly it is to argue about those kind of superlatives. And Japanese film scholar Tadao Sato, on the first disc, provides some biographical background on the director. Each disc comes with an accompanying essay by Tony Rayns; and dean of Japanese film scholars Donald Richie has a profile of actor Chishu Ryu in the booklet accompanying There Was a Father. Also, though we're fortunate to have these on DVD, these are among the worst Criterion discs in terms of video quality that I have ever seen—it appears as if the source material is hopelessly compromised and unrecoverable, and really, there's something about that that I think the films' director would appreciate.

Posted by: Jon Danziger - September 8, 2010, 10:45 am - DVD Review
Keywords: ozu, japanese

Agree? Disagree? Have your own thoughts? discuss on facebook



Genres

action, action comedy, adventure, alternative, animation, anime, art, black comedy, celtic, classical, comedy, compilation, country, crime, cult, documentary, drama, educational, epic, experimental, family, fantasy, film noir, folk, foreign, gangster, hip-hop, historical, historical adventure, holiday, horror, jazz, late night, martial arts, metal, music, musical, musical comedy, mystery, new age, offbeat, opera, pop, r-b, rap, rock, romance, romantic comedy, sci-fi, special interest, sports, suspense thriller, techno thriller, television, war, western,

Fall TV

Apple iTunes

Apple iTunes

Keywords

documentary, music, madonna, lourdes, material girl, movie, 'the social network, ' aaron sorkin, david fincher, mark zuckerberg, eduardo saverin, andrew garfield, jesse eisenberg, action, sci-fi, television, david hasselhoff, tony dovolani, the quickstep, wire, lost, freaks and geeks, arrested development, 'rabbit hole, ' nicole kidman, 'let me in, ' 'the debt, ' helen mirren, realty dance competition, florence henderson, carrie ann inaba, margaret cho, bill maher, christine o'donnell, republican nominee, witchcraft, 'stake land, ' toronto international film festival, kelly mcgillis, melanie leis, $23.8 million, jon hamm, jeremy renner, chris cooper, box office, movies, gladiator, rome, musical, oprah, book club, national book award, 'the corrections, ' farrar, straus and giroux, robert redford, mary surratt, robin wright, james mcavoy, tom wilkinson, fake news, fake conservative, jon stewart, stephen colbert, dueling rallies, writer, book reviewer, philip roth, thomas pynchon, saul bellow, don delillo, j.k. rowling, tom wolfe, romantic caper, big-budget blockbuster, florian henckel von donnersmarck, concert, beyonc?, nicki minaj, 50 cent, josh brolin, will smith, action drama, pantelion films, 10 films, hispanic moviegoers, comedy series, penny, jim parsons, mayim bialik, leonard, american idol, steven tyler, randy jackson, singing competition, lady gaga, katy perry, ke$ha, taylor swift, justin bieber, ciara, jane lynch, bryce dallas howard, matt damon, special-effects tsunami, romance


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